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THE END OF ART IN THE “DEATH LANDSCAPES”? ARTISTS IN THE CONCENTRATION CAMPS
dc.contributor.authorBellini, Anna Paola
dc.date.accessioned2022-07-19T08:18:37Z
dc.date.available2022-07-19T08:18:37Z
dc.date.issued2022
dc.identifier.urihttp://hdl.handle.net/20.500.11956/174762
dc.language.isofrcs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectConcentration Campscs
dc.subjectHolocaust Artcs
dc.subjectCamp Artistscs
dc.titleLa Fin de l’art dans les « paysages de la mort »? Les artistes des camps de concentrationcs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.title.translatedTHE END OF ART IN THE “DEATH LANDSCAPES”? ARTISTS IN THE CONCENTRATION CAMPScs
uk.abstract.enIn the concentration camp, many artists drew at the risk of their lives. These productions can tell us a lot about the condition of life in the camps, but they also raise several questions that are related to the philosophy of art. Why draw? Does the artist respond to an inner urge to reproduce? Is this idea of beauty a response of the mind to the horrible? Could atrocity push us to see beauty where we have never seen it? In this article we propose to present some clandestine productions made in the camps and to question their status which seems to defy the concept of decorative art and pushes us to rethink the notion of beauty.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2022.3.8
dc.description.startPage115cs
dc.description.endPage128cs
dcterms.isPartOf.nameSvět literaturycs
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssueZvláštní číslo
dcterms.isPartOf.issn2336–6729
dc.relation.isPartOfUrlhttps://svetliteratury.ff.cuni.cz


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