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BAD TASTE OR MODERN TASTE? CONTROVERSIES AROUND THE ROCOCO
dc.contributor.authorBartha-Kovács, Katalin
dc.date.accessioned2022-07-19T08:13:37Z
dc.date.available2022-07-19T08:13:37Z
dc.date.issued2022
dc.identifier.urihttp://hdl.handle.net/20.500.11956/174760
dc.language.isofrcs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectRocococs
dc.subjectWatteaucs
dc.subject“Bad Taste”cs
dc.subject“Modern Style”cs
dc.titleMauvais goût ou goût moderne? Controverses autour du rocococs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.title.translatedBAD TASTE OR MODERN TASTE? CONTROVERSIES AROUND THE ROCOCOcs
uk.abstract.enThe aim of this study is to examine the controversies surrounding the artistic movement known a posteriori as rococo. Firstly, the debates about the term “rococo” as a category of style will be presented. Using the example of contemporary judgements on the art of Jean-Antoine Watteau (1684–1721), we will then show how the amateurs and critics of his time perceived the painter’s work. Called the “modern style” or the “picturesque genre”, later qualified as “bad taste”, this eminently decorative trend, the rococo, provoked very different reactions in the 18th century, oscillating between appreciation and condemnation.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2022.3.6
dc.description.startPage90cs
dc.description.endPage101cs
dcterms.isPartOf.nameSvět literaturycs
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssueZvláštní číslo
dcterms.isPartOf.issn2336–6729
dc.relation.isPartOfUrlhttps://svetliteratury.ff.cuni.cz


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