Fin de l’art et la mélancolie
THE END OF ART AND MELANCHOLY
| dc.contributor.author | Luňáková, Anna | |
| dc.date.accessioned | 2022-07-19T08:10:18Z | |
| dc.date.available | 2022-07-19T08:10:18Z | |
| dc.date.issued | 2022 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/174759 | |
| dc.language.iso | fr | cs |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs |
| dc.subject | End of Art | cs |
| dc.subject | Melancholy | cs |
| dc.subject | Arthur Coleman Danto | cs |
| dc.subject | László F. Földényi | cs |
| dc.subject | Robert Burton | cs |
| dc.subject | Aristotle | cs |
| dc.title | Fin de l’art et la mélancolie | cs |
| dc.type | Vědecký článek | cs |
| dcterms.accessRights | openAccess | |
| dcterms.license | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| dc.title.translated | THE END OF ART AND MELANCHOLY | cs |
| uk.abstract.en | Based on the theory of Arthur Coleman Danto I try to outline possible similarities between the state of art after its end and the state of melancholy. The melancholic breaks the order, thus paradoxically drawing its boundaries. Aristotle’s Problems, Robert Burton’s Melancholia, and a study of Melancholia of theorist László F. Földényi help us to name characteristics of this state. | cs |
| dc.publisher.publicationPlace | Praha | cs |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | 10.14712/23366729.2022.3.5 | |
| dc.description.startPage | 78 | cs |
| dc.description.endPage | 89 | cs |
| dcterms.isPartOf.name | Svět literatury | cs |
| dcterms.isPartOf.journalYear | 2022 | |
| dcterms.isPartOf.journalVolume | 2022 | |
| dcterms.isPartOf.journalIssue | Zvláštní číslo | |
| dcterms.isPartOf.issn | 2336–6729 | |
| dc.relation.isPartOfUrl | https://svetliteratury.ff.cuni.cz |
Files in this item
This item appears in the following Collection(s)
-
Zvláštní číslo [18]