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NARCISSES, MIRRORS OF THE ENDS : ATTEMPT OF HEGELIAN READING
dc.contributor.authorÉbert-Zeminová, Catherine
dc.date.accessioned2022-07-19T08:00:34Z
dc.date.available2022-07-19T08:00:34Z
dc.date.issued2022
dc.identifier.urihttp://hdl.handle.net/20.500.11956/174757
dc.language.isofrcs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectAestheticscs
dc.subjectFrench Literaturecs
dc.subjectSymbolism and Decadencecs
dc.subjectMythcs
dc.subjectDuplicationcs
dc.subjectSpecularitycs
dc.subjectEnd of Artcs
dc.subjectG. W. F. Hegelcs
dc.subjectA. Gidecs
dc.subjectJ. Lorraincs
dc.subjectNarcisse and Narcissismcs
dc.titleDeux Narcisse, miroirs des fins: essai d’interprétation hégéliencs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.title.translatedNARCISSES, MIRRORS OF THE ENDS : ATTEMPT OF HEGELIAN READINGcs
uk.abstract.enThis paper attempts to cross-read the End of Art as it is conceptualized by Georg Wilhelm Friedrich Hegel, and André Gide’s and Jean Lorrain’s versions of the myth of Narcissus. The most relevant mythemes such as beauty, self-love, duplication, “specularity” and death are apprehended in their recovery by fin-de-siècle aesthetics. The hermeneutic back-and-forth movement between the two texts assesses the structural symbols carrying various models of the evolution of art and formulates what Hegel could have possibly understood by this concept. The results of our interpretation are then related to certain phenomena of the history of art, and particularly of literature in the 20th century.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2022.3.3
dc.description.startPage55cs
dc.description.endPage67cs
dcterms.isPartOf.nameSvět literaturycs
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssueZvláštní číslo
dcterms.isPartOf.issn2336–6729
dc.relation.isPartOfUrlhttps://svetliteratury.ff.cuni.cz


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