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dc.contributor.authorZbytovský, Štěpán
dc.date.accessioned2021-12-07T11:55:03Z
dc.date.available2021-12-07T11:55:03Z
dc.date.issued2021
dc.identifier.urihttp://hdl.handle.net/20.500.11956/170225
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectthe German presscs
dc.subjectexilecs
dc.subjectCzechoslovakiacs
dc.subjectPraguecs
dc.subjectDie Wahrheitcs
dc.titleExile and Literature in the Prague German Magazine Die Wahrheitcs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThis article shows how the topic of exile and exile literature was presented in the Prague magazine Die Wahrheit after Adolf Hitler came to power. Although Die Wahrheit was an expressly proCzechoslovak magazine, it focused on problematic aspects of the situation of German émigrés in the country, especially writers and other cultural actors. The article follows three interpretive models (Heinrich Heine, the ‘best Germany’, and ‘positive nomadism’), belonging to discursive formations in which the debate on the situation of exiles took place, shaping their self-understanding and ideas about possible solutions. The magazine’s critical attitudes towards the relationship between artistic exile and the Czechoslovak state are revealed on the example of debates about the (non) performance of Ferdinand Bruckner’s drama Die Rassen in Prague.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366680.2021.2.6
dc.description.startPage78cs
dc.description.endPage100cs
dcterms.isPartOf.nameSlovo a smyslcs
dcterms.isPartOf.journalYear2021
dcterms.isPartOf.journalVolume2021
dcterms.isPartOf.journalIssue37
dcterms.isPartOf.issn2336-6680
dc.relation.isPartOfUrlhttps://wordandsense.ff.cuni.cz


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