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Art creates reality. Reflections of art in 1930s and 1940s in the texts of Jindřich Chalupecký
dc.contributor.advisorBílek, Petr
dc.creatorMečíř, Aleš
dc.date.accessioned2017-04-06T12:34:35Z
dc.date.available2017-04-06T12:34:35Z
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/20.500.11956/13554
dc.description.abstractPřekládaná práce je tedy pokusem nastínit východiska Chalupeckého programových článků a esejů zejména z přelomu třicátých a čtyřicátých let dvacátého století - z doby, v níž se Chalupecký stal mluvčím a teoretikem okruhu umělců a básníků, kteří se spojili do Skupiny 421. Snaží se rovněž poukázat na jejich pozici v kontextu reflexe umění, a to zejména v první třetině dvacátého století.cs_CZ
dc.description.abstractThe presented thesis "Art Creates Reality (Reflections of Art in 1930s and 1940s in the Texts of Jindřich Chalupecký)" tries to outline resources of Chalupecký's programmatic articles and essays mainly from the turn of 30s and 40s of the 20th century. It builds on a hypothesis that Chalupecký's programmatic activity culminating at the beginning of 1940s (in particular the article "World we live in" of 1940) is unthinkable partly without - in a context of modern avant-garde criticism of 1930s - specific understanding and rethinking of a French surrealism, partly without searching for own theoretical approach. This approach was mainly based on a critical reception of the avant-garde art and was enriched with impulsions concerning particularly an effort to reassess and newly define notions, crucial ones for Chalupecký, as art, reality, realism or myth in terms of their relation to life. The thesis should emphasize specifics of Chalupecký's effort to newly define a meaning of modern art in relation to society at that time, which was demonstrated by so called turn to reality or to "world we live in" and by proclamation of "mythology of modern human being" need at the beginning of 1940s. In Chalupecký's considerations this need resulted in the concept of "new realism" in the second half of 1940s.en_US
dc.languageČeštinacs_CZ
dc.language.isocs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleUmění tvoří skutečnost. Reflexe umění ve 30. a 40. letech 20. století v textech Jindřicha Chalupeckéhocs_CZ
dc.typediplomová prácecs_CZ
dcterms.created2007
dcterms.dateAccepted2007-09-10
dc.description.departmentÚstav české literatury a komparatistikycs_CZ
dc.description.departmentDepartment of Czech and Comparative Literatureen_US
dc.description.facultyFaculty of Artsen_US
dc.description.facultyFilozofická fakultacs_CZ
dc.identifier.repId50642
dc.title.translatedArt creates reality. Reflections of art in 1930s and 1940s in the texts of Jindřich Chalupeckýen_US
dc.contributor.refereeŠpirit, Michael
dc.identifier.aleph000965202
thesis.degree.nameMgr.
thesis.degree.levelmagisterskécs_CZ
thesis.degree.disciplineČeský jazyk a literaturacs_CZ
thesis.degree.disciplineCzech Language and Literatureen_US
thesis.degree.programPhilologyen_US
thesis.degree.programFilologiecs_CZ
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Ústav české literatury a komparatistikycs_CZ
uk.taxonomy.organization-enFaculty of Arts::Department of Czech and Comparative Literatureen_US
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csČeský jazyk a literaturacs_CZ
uk.degree-discipline.enCzech Language and Literatureen_US
uk.degree-program.csFilologiecs_CZ
uk.degree-program.enPhilologyen_US
thesis.grade.csVelmi dobřecs_CZ
thesis.grade.enVery gooden_US
uk.abstract.csPřekládaná práce je tedy pokusem nastínit východiska Chalupeckého programových článků a esejů zejména z přelomu třicátých a čtyřicátých let dvacátého století - z doby, v níž se Chalupecký stal mluvčím a teoretikem okruhu umělců a básníků, kteří se spojili do Skupiny 421. Snaží se rovněž poukázat na jejich pozici v kontextu reflexe umění, a to zejména v první třetině dvacátého století.cs_CZ
uk.abstract.enThe presented thesis "Art Creates Reality (Reflections of Art in 1930s and 1940s in the Texts of Jindřich Chalupecký)" tries to outline resources of Chalupecký's programmatic articles and essays mainly from the turn of 30s and 40s of the 20th century. It builds on a hypothesis that Chalupecký's programmatic activity culminating at the beginning of 1940s (in particular the article "World we live in" of 1940) is unthinkable partly without - in a context of modern avant-garde criticism of 1930s - specific understanding and rethinking of a French surrealism, partly without searching for own theoretical approach. This approach was mainly based on a critical reception of the avant-garde art and was enriched with impulsions concerning particularly an effort to reassess and newly define notions, crucial ones for Chalupecký, as art, reality, realism or myth in terms of their relation to life. The thesis should emphasize specifics of Chalupecký's effort to newly define a meaning of modern art in relation to society at that time, which was demonstrated by so called turn to reality or to "world we live in" and by proclamation of "mythology of modern human being" need at the beginning of 1940s. In Chalupecký's considerations this need resulted in the concept of "new realism" in the second half of 1940s.en_US
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav české literatury a komparatistikycs_CZ


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