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Incorrect Literature: Aesthetics and the Discourse of Czech Splatterpunk
dc.contributor.authorSegi, Stefan
dc.date.accessioned2020-11-23T09:40:51Z
dc.date.available2020-11-23T09:40:51Z
dc.date.issued2020
dc.identifier.issn2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123455
dc.language.isocs_CZcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl, 2020, 2, 147-164cs_CZ
dc.source.urihttps://wordandsense.ff.cuni.cz
dc.subjectPolitická korektnostcs_CZ
dc.subjectpopulární literaturacs_CZ
dc.subjectakční fantastikacs_CZ
dc.subjectsplatterpunkcs_CZ
dc.subjectkulturní válkycs_CZ
dc.titleNekorektní literatura. Estetika a diskurz české akční fantastikycs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedIncorrect Literature: Aesthetics and the Discourse of Czech Splatterpunkcs_CZ
uk.abstract.enIn the Czech appropriation of the literary genre splatterpunk, political correctness, or more precisely the lack of it, occupies a prominent place. Fascination with so-called ‘incorrectness’ can be understood to be a special case of what Richard Burt identifes as ‘the fetish of censorship’ with writers drawing from the appeal of such ‘forbidden’ topics as racial and gender stereotypes. Tis paper examines the ways in which the criticism of correctness plays out in diferent forms of paratexts, such as ads, reviews, and interviews with writers. Te analysis of Czech splatterpunk novels and short stories reveals what is actually understood as ‘incorrect’ in terms of literary fction, and how those texts, featuring primarily white masculine heroes with indestructible bodies, lend themselves to diferent kinds of readings: from sharp political satire to self-refective spectacular grotesque.cs_CZ
dc.publisher.placePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366680.2020.2.9cs_CZ


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