Chilská avantgarda z pohledu Pabla Nerudy

dc.contributor.author	Barrera, Trinidad
dc.date.accessioned	2020-11-02T10:20:59Z
dc.date.available	2020-11-02T10:20:59Z
dc.date.issued	2020
dc.identifier.issn	2336–6729
dc.identifier.uri	http://hdl.handle.net/20.500.11956/122826
dc.language.iso	cs_CZ	cs_CZ
dc.publisher	Univerzita Karlova, Filozofická fakulta	cs_CZ
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source	Svět literatury, 2020, 62, 27-34	cs_CZ
dc.source.uri	https://svetliteratury.ff.cuni.cz
dc.subject	Pablo Neruda	cs_CZ
dc.subject	chilská avantgarda	cs_CZ
dc.subject	moderní poezie	cs_CZ
dc.subject	surrealismus	cs_CZ
dc.subject	hispanoamerická poezie	cs_CZ
dc.title	Chilská avantgarda z pohledu Pabla Nerudy	cs_CZ
dc.type	Vědecký článek	cs_CZ
dc.title.translated	CHILEAN AVANT-GARDE THROUGH PABLO NERUDA’S LENS	cs_CZ
uk.abstract.en	Chile is considered an important centre of Spanish-American avant-garde thanks to the figure of Vicente Huidobro and also that of Pablo Neruda. While the importance of these two eminent poets is beyond doubt, the paper points out that Chilean avant-garde was a rich and multifaceted movement with many different voices.	cs_CZ
dc.publisher.publicationPlace	Praha	cs_CZ
uk.internal-type	uk_publication
dc.identifier.doi	10.14712/23366729.2020.2.2	cs_CZ
dc.description.startPage	27
dc.description.endPage	34
dcterms.isPartOf.name	Svět literatury	cs_CZ
dcterms.isPartOf.journalYear	2020
dcterms.isPartOf.journalVolume	2020
dcterms.isPartOf.journalIssue	62

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