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‘Drawing Toward Quality’ as a Proto-Aesthetic Event
dc.contributor.authorZuska, Vlastimil
dc.date.accessioned2019-12-17T11:49:04Z
dc.date.available2019-12-17T11:49:04Z
dc.date.issued2019
dc.identifier.issn2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/115556
dc.language.isocs_CZcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl - Word & Sense, 2019, 16, 32, 215-227cs_CZ
dc.source.urihttps://wordandsense.ff.cuni.cz
dc.subjectdrawing toward qualitycs_CZ
dc.subjectfeeling of feelingscs_CZ
dc.subjectaffective qualitycs_CZ
dc.subjectaffect heuristicscs_CZ
dc.subjectattentioncs_CZ
dc.subjectemergencecs_CZ
dc.subjectZaujetí kvalitoucs_CZ
dc.subjectpociťování pocitůcs_CZ
dc.subjectafektivní kvalitacs_CZ
dc.subjectafektová heuristikacs_CZ
dc.subjectpozornostcs_CZ
dc.subjectemergencecs_CZ
dc.title„Zaujetí kvalitou“ jako protoestetická událostcs_CZ
dc.title.alternative‘Drawing Toward Quality’ as a Proto-Aesthetic Eventcs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enContrary to Ingarden’s meticulous analyses and explanations of many serious aesthetic problems, the initial stages of aesthetic experience or, more aptly, the event that immediately precedes this experience, is rather neglected in his work. This study seeks to fill in the ‘place of indeterminacy’ in Ingarden’s description of the process of aesthetic experience, where the philosopher draws on two notions: drawing toward quality and entry emotion. It uses two main sources. The first is phenomenology, in particular Husserl’s notions of the transition to modalities, the inclination to judge, and Dufrenne’s affective qualities and aesthetic value. As a second point of departure, the study borrows from a wide range of contemporary concepts proper to such fields as cognitive neuroscience, including affective heuristics, affective forecasting, unconscious affect, attitude and attitudinal change, and subtle distinctions in the field of emotions by Damasio: emotion, feeling, and feeling of feelings. Tracing the complex inter-relations among attention, affect, and the affective fixation of attentional focus, the author presents his conclusion concerning the non-aesthetical nature of the first quality in proto-aesthetic event, the event character of this proto-phase of the aesthetic experience, and the initiation of aesthetic experience through self-reflective feeling of feeling, aka entry emotion.cs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366680.2019.2.10cs_CZ
dc.description.startPage215
dc.description.endPage227
dcterms.isPartOf.nameSlovo a smysl - Word & Sensecs_CZ
dcterms.isPartOf.journalYear2019
dcterms.isPartOf.journalVolume16
dcterms.isPartOf.journalIssue32


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