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dc.contributor.authorKaplický, Martin
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.sourceSlovo a smysl - Word & Sense, 2019, 16, 32, 203-214cs_CZ
dc.subjectRoman Ingardencs_CZ
dc.subjectWolfgang Isercs_CZ
dc.subjectliterary theorycs_CZ
dc.subjectplaces of indeterminacycs_CZ
dc.subjectreading processcs_CZ
dc.subjectliterární teoriecs_CZ
dc.subjectmísta nedourčenostics_CZ
dc.subjectprázdná místacs_CZ
dc.subjectproces čtenícs_CZ
dc.titleKombinace, nebo doplnění? O dvou typech procesu v literární teorii Romana Ingardena a Wolfganga Iseracs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enThere can be no doubt that Wolfgang Iser’s literary theory was strongly influenced by Roman Ingarden’s writings on literature. Iser often quotes from Ingarden and develops some of his key ideas. The main aim of this article is to show that even in the cases where Iser develops Ingarden’s ideas and concepts he significantly changes their meaning and function. This tendency is not arbitrary but rather mirrors the difference of aims between the two theories. In this article, the author tries to show how Ingarden’s theory revolves around his consideration of the differences between the real and purely intentional object. Here, the literary work serves as an example of the purely intentional object. By contrast, Iser’s work revolves around his opposition to any theory which emphasizes the essential meaning of a work of literature without considering the reading process itself. This attention to the reading process is the main aim of Iser’s theory. The article develops the thesis that the two opposing definitions of the literary work arise from this essential difference, which in turn explains the dissimilarity, in terms of both meaning and function, between such seemingly similar concepts as Ingarden’s ‘places of indeterminacy’ (die Unbestimmtheitstellen) and Iser’s ‘blanks’ (die Leerstellen).cs_CZ
dcterms.isPartOf.nameSlovo a smysl - Word & Sensecs_CZ

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