dc.contributor.author | Votruba, Adam | |
dc.date.accessioned | 2019-01-16T09:52:19Z | |
dc.date.available | 2019-01-16T09:52:19Z | |
dc.date.issued | 2018 | |
dc.identifier.issn | 2336-6699 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/104504 | |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
dc.source | Studia Ethnologica Pragensia, 2018, 2, 103-147 | cs_CZ |
dc.source.uri | https://studiaethnologicapragensia.ff.cuni.cz | |
dc.subject | metro-rhythmic narrowing | cs_CZ |
dc.subject | Rhythmusverengerung | cs_CZ |
dc.subject | rhythm structure | cs_CZ |
dc.subject | folk song | cs_CZ |
dc.subject | folklore | cs_CZ |
dc.subject | Western Slavs | cs_CZ |
dc.subject | Slavic folklore | cs_CZ |
dc.subject | Central-European folklore | cs_CZ |
dc.title | Statistická analýza rytmického zúžení jako příspěvek k otázce rytmické stavby lidové písně u západních Slovanů | cs_CZ |
dc.title.alternative | A statistical analysis of rhythmic narrowing as a contribution to the question of the rhythmic structure of folk songs among the Western Slavs | cs_CZ |
dc.type | Vědecký článek | cs_CZ |
uk.abstract.en | Rhythmic narrowing (Rhythmusverengerung) was first described by Hungarian ethnomusicologist and
composer Béla Bartók. It is the specific structure of the melody of a song which is usually connected
with rhymes repeated twice with the same syllable (aabb), while on the 1st and 4th rhymes have a larger
number of bars than the 2nd and 3rd rhymes. A number of bars could be assigned to particular rhymes
according to the scheme 3–2–2–3, 4–3–3–4, etc. Béla Bartók considered this phenomenon typical for
Slovak folk songs. Similar ideas were proposed by Slovak musicologist Jozef Kresánek, who also proposed a hypothesis about the evolutional connection between the genesis of this structure and the
development of harmonic thinking. The author of this study presents, on a larger body of statistically
analysed material, that rhythmic narrowing is typical, not only for Slovak, but also for Czech song.
The area whith the most abundant distribution is from Eastern Bohemia through Moravia to the Central and Eastern Slovakia border. Polish Silesia could be also added to this area — the part which was
not settled by German speaking people before 1945. Rhythmic narrowing is much less widespread
among the neighbouring nations — the rest of Poland, Hungary and the Ukraine. It has not been
found at all in German, Sorbian, Lithuanian and Serbian folk song collections. | cs_CZ |
uk.internal-type | uk_publication | |
dc.description.startPage | 103 | |
dc.description.endPage | 147 | |
dcterms.isPartOf.name | Studia Ethnologica Pragensia | cs_CZ |
dcterms.isPartOf.journalYear | 2018 | |
dcterms.isPartOf.journalVolume | 2018 | |
dcterms.isPartOf.journalIssue | 2 | |