Ročník 2015
http://hdl.handle.net/20.500.11956/96298
Volume 20152024-03-29T05:01:05ZK problematice literatury německého a rakouského biedermeieru
http://hdl.handle.net/20.500.11956/97211
K problematice literatury německého a rakouského biedermeieru;
; ; Instead of using the term Biedermeier to label the literary period between Romanticism and Realism, the terms “literature of the Restoration period” or “pre-March period literature” are sometimes used. Biedermeier designates the period between 1815 (Congress of Vienna) and 1850 (the aftermath of the revolutionary years 1848/49). Paul Kluckholm was the first to use the term “biedermeier” (in 1927) after it had lost its pejorative overtones at the end of the 19th century and, at the beginning of the 20th, taken on a meaning designating the lifestyle and fashion of the first half of the 19th century. The Biedermeier epoch does not have a specific aesthetic or theoretical programme, which led to a stylistic discontinuity: a naïve concatenation of various forms of expression, mixing of genres, and underestimating the formal aspects of a work of art — putting emphasis on “detailed descriptions”, frequent reflections. This allowed for an unprecedented proliferation of trivial fiction issued in a multitude of almanacs, pocket editions, and numerous “family” magazines. Drama became an important genre, mainly the Viennese people play and conversational plays (Raimund, Nestroy, Bauernfeld).
2015-01-01T00:00:00ZEsthétique de la bande dessinée: métissage entre le texte et l’image
http://hdl.handle.net/20.500.11956/97212
Esthétique de la bande dessinée: métissage entre le texte et l’image; THE AESTETICS OF COMICS : MIX BETWEEEN TEXT AND IMAGE
; ; The comic, as a form of art, represents a particular means of literary and graphic expression. The text and image coexist to adapt an idea or tell stories whose richness is equal to the extreme variety of ingredients used in their composition. The aim of the given article is to reflect on interweaving of all elements mobilized by the comics creators to present the expressive and interpretable potential of the sequential art.
2015-01-01T00:00:00ZDon Quijote: jiná modernita
http://hdl.handle.net/20.500.11956/97194
Don Quijote: jiná modernita; DON QUIJOTE: ANOTHER MODERNITY;
; ; Is it possible to read Don Quijote de la Mancha as a work representing modernity, and if so, in which sense? So sounds the question that this essay tries to answer. On the one hand, Close has warned about the problems of the romantic reading of Don Quijote, like, for instance, to assert that the book symbolizes Spain or an epoch. But, on the other hand, Cervantes major work is in contact, through Huarte de San Juan, with the problem of truth, developed by renaissance thought in 16. century. That problem of truth, and the origin of knowledge criticism, is interpreted by Kundera as characteristic of modernity, even if different to the tradition founded by Descartes.
2015-01-01T00:00:00ZÀ la recherche de la senefiance… - Lecture intertextuelle des récits de rêve médiévaux
http://hdl.handle.net/20.500.11956/97185
À la recherche de la senefiance… - Lecture intertextuelle des récits de rêve médiévaux; IN SEARCH OF THE SENEFIANCE… - INTERTEXTUAL STUDY OF DREAM SCENES IN MEDIEVAL FRENCH TEXTS
; ; The modern reader cannot read and interpret a medieval text in the same way as the medieval reader because of remoteness in time, the distance between our cultural space and medieval cultural space. We should understand them in terms of their own context, treat all énoncés in their specific historical and socio-cultural contexts. Special attention must be paid to dream scenes in medieval French texts which are separate events from narrative structure. On the one hand, our study focuses on the narrative characteristics of premonitory dreams especially in some Old French epics and romances. Taking under study intertextual links between the different sequences of their narration, we attempt to describe and explore prototypical traits of their linguistic expression. We note that dream narratives contain several types of recursive formula (the dream’s emotional and physical effects on the dreamer, description of falling asleep, in author’s commentaries). Oneiric narration follows standard, retains its specific structral forms. On the other hand, we will explore through some examples how the symbolic images of dream stories can be read in intertextuality. Uncovering intertextual relations, this study also sheds light on how our symbols are in direct correlation with the texts of some medieval bestiaries and encyclopedical scripts. The intertextual work that we are proposing, not only helps to better understand some textual phenomena of medieval works but supports the interpretative procedures and elucidation of dream contents. Above all, it prevents to project to the past values and judgments, that are the property of the modern mentality.
2015-01-01T00:00:00Z